In her experimental dark art photography, Nona Limmen (1986) channels the darker side of life by painting gloomy fairytales with the camera’s lens. Her photographic world is one of mystery, melancholic and gothic symbolism, occultism, and shadow work, sometimes profoundly unnerving, oftentimes inviting – her range widely varying by combining soft and ethereal beauty with barren landscapes.
These worlds, born from escapism, unequivocally have been a place where she could find home in herself over and over. Limmen’s haunting protagonists are creatures born of dark folklore, mythology, and the collective unconscious. They dance along the borders between our world and theirs, not fully belonging anywhere, therefore belonging everywhere. Perhaps, if you approach with just the right offering, one of them might grant you a glimpse or even passage into their realm, part dream and part nightmare.
Since I was a child, I have been compelled by dark themes and folktales, with a particular fascination for ghostly creatures, witches, and all things surreal and unknown. I longed to immerse myself in worlds full of wonder and discovery, and always imagined myself roaming uncharted territory where untold adventures awaited.
Later in life, this fascination became an intermediary to channel my deepest thoughts and feelings into my work. It is the theme that connects these photos -the longing for another mysterious world, an escape from reality, and to find comfort in darkness.
The intention for my work is to bring what is dark into the light, and to encourage the viewer to explore the darker landscapes of their own shadow self. It’s the darkness that helps us look deeper beyond any light ever will.
Photography helped me find the silver linings in tough and uncertain times, and I can only hope it offers the same to anyone who looks at my work.
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